Low Culture is a new series where tQ writers use lockdown time to pull some of their favourite music, films, games and books off the shelves in order to tackle an idea that's been bugging them for a long time. In the second instalment Joel McIver grasps the mother of all nettles: who wrote the greatest thrash metal album - which essentially means who wrote the greatest heavy metal album - Metallica or Slayer?
Ahead of the Quietus writers' list of favourite religious and spiritual records, published later this week, Rev. Rachel Mann explores the many roles that holy music continues to play in an increasingly secular society, and explains why it remains an important and affecting force
Profoundly depressed by a new poll which supposedly “reveals” the nation’s taste in rock riffs, Joel McIver – who is such a guitar geek that he wrote a book last year called The 100 Greatest Metal Guitarists – provides 20 far more interesting alternatives
With their Redeemer Of Souls tour bound for Scandinavia after wrapping up the UK leg at Brixton Academy last night, the heavy metal veterans' singer takes Alex Macrow through his top 13 "game changers" of rock & roll
As Grönland reissues his collaborative albums with Holger Czukay, David Sylvian writes for The Quietus as he remembers the spirit of experimentation that he discovered in the Can studio during the 1980s. Photos by Yuka Fujii.
Jane Savidge was the co-founder and head of public relations company Savage & Best who looked after Pulp during their late 90s pomp. In an exclusive extract from her new book for Bloomsbury’s 33 1/3 series, she picks apart the tricky sexual politics of the group’s notorious cover art for *This is Hardcore*
Wherein the towering frontman of The Pop Group and The Maffia takes occasional breaks from busting writer Dustin Krcatovich's chops to look back on four decades of fire theft, including the recently reissued 1983 album Learning To Cope With Cowardice
As he launches a new label dedicated to contemporary classical music, Jonny Greenwood of Radiohead talks to Patrick Clarke about his passion for classical, why Bach is like Kraftwerk, and the 'gruesome' intersection of prog rock and Rachmaninoff.