Tony F Wilson – a lifer's lifer. His Quietus subscribers' mix comprises a depth charge exploration into an underground catalogue that dates back to the mid 90s. Chopped, screwed and spat back up with added venom. Harry Sword gets the (sub) low down.
Tony F Wilson – a lifer's lifer. His Quietus subscribers' mix comprises a depth charge exploration into an underground catalogue that dates back to the mid 90s. Chopped, screwed and spat back up with added venom. Harry Sword gets the (sub) low down.
From the days of Bong to a host of collaborations; cranky lo fi Dungeon Synth to one of the most arresting and enveloping improvised solo drone projects around, Dawn Terry is a mainstay of the UK underground. Ahead of her performance at Acid Horse in May, she speaks to Harry Sword about Fighting Fantasy, Doom Yoga and Ukrainian hurdy-gurdy
From the days of Bong to a host of collaborations; cranky lo fi Dungeon Synth to one of the most arresting and enveloping improvised solo drone projects around, Dawn Terry is a mainstay of the UK underground. Ahead of her performance at Acid Horse in May, she speaks to Harry Sword about Fighting Fantasy, Doom Yoga and Ukrainian hurdy-gurdy
From carrying a Marvin Gaye cassette in his pocket to reciting the entirety of Easy Rider, and the glory of Psychedelic Brazil to the real Beatles, Joel Gion of the Brian Jonestown Massacre talks to Harry Sword about the 13 records that mean the most to him.
From carrying a Marvin Gaye cassette in his pocket to reciting the entirety of Easy Rider, and the glory of Psychedelic Brazil to the real Beatles, Joel Gion of the Brian Jonestown Massacre talks to Harry Sword about the 13 records that mean the most to him.
In this month's Low Culture essay, commissioned exclusively for tQ subscribers, Harry Sword makes the case for George MacDonald Fraser's Flashman series of novels being a fine lesson in the grim reality of British history, and the literary equivalents of the music of Throbbing Gristle and Iron Maiden
In this month's Low Culture essay, commissioned exclusively for tQ subscribers, Harry Sword makes the case for George MacDonald Fraser's Flashman series of novels being a fine lesson in the grim reality of British history, and the literary equivalents of the music of Throbbing Gristle and Iron Maiden
Paddy Shine is one of the most relentless instigators in the underground, both as part of Gnod and in myriad other projects. Ahead of the release of the debut album by his weird folk group Moundabout alongside Phil Masterson on Rocket this summer, he guides Harry Sword through 13 vital slabs
Paddy Shine is one of the most relentless instigators in the underground, both as part of Gnod and in myriad other projects. Ahead of the release of the debut album by his weird folk group Moundabout alongside Phil Masterson on Rocket this summer, he guides Harry Sword through 13 vital slabs
Long-time producer and manager of The Master Musicians Of Joujouka, Frank Rynne, talks to Harry Sword about the challenges of recording their powerful new album, Live In Paris. Home page photograph by Herman Vanaershot
Long-time producer and manager of The Master Musicians Of Joujouka, Frank Rynne, talks to Harry Sword about the challenges of recording their powerful new album, Live In Paris. Home page photograph by Herman Vanaershot
Steady the ship, ready the engines, sail forth through the infinite black portal of space and dream - once fitful sleep overtakes you - of turbulent purple seas over a desolate planet. It’s Hawkwind, b’gads, and Harry Sword is talking to Captain Dave Brock ahead of this weekend's Desertfest
Steady the ship, ready the engines, sail forth through the infinite black portal of space and dream - once fitful sleep overtakes you - of turbulent purple seas over a desolate planet. It’s Hawkwind, b’gads, and Harry Sword is talking to Captain Dave Brock ahead of this weekend's Desertfest
Electric Wizard grand magus Jus Oborn talks to Harry Sword about a lifetime of immersion in the outposts of horror, sleaze and exploitation cinema, why 'heavy' isn't about the peddles and amps you use and the importance of playing the long game.
Electric Wizard grand magus Jus Oborn talks to Harry Sword about a lifetime of immersion in the outposts of horror, sleaze and exploitation cinema, why 'heavy' isn't about the peddles and amps you use and the importance of playing the long game.
With the debut LP a woozy wall of Afrobeat inspired fuzzbox riff worship and pounding circular rhythmic power, Here Lies Man connect the stoner rock underground straight to downtown Lagos. Harry Sword talks 1970’s New York Latin radio, punk rock and the glory of Fela Kuti with Marcos Garcia
With the debut LP a woozy wall of Afrobeat inspired fuzzbox riff worship and pounding circular rhythmic power, Here Lies Man connect the stoner rock underground straight to downtown Lagos. Harry Sword talks 1970’s New York Latin radio, punk rock and the glory of Fela Kuti with Marcos Garcia
A mainstay in electronic sound for over two decades, the music of Anthony Child AKA Surgeon joins the dots between the techno underground and an abrasive, absurdist lineage that stretches back to the days of COUM. Ahead of Child's set at the legacy of COUM event in Hull on 18th March, Harry Sword hears of his love of Burroughs, watching Mike Leigh with Mick Harris and the dangers of the artistic comfort zone.
A mainstay in electronic sound for over two decades, the music of Anthony Child AKA Surgeon joins the dots between the techno underground and an abrasive, absurdist lineage that stretches back to the days of COUM. Ahead of Child's set at the legacy of COUM event in Hull on 18th March, Harry Sword hears of his love of Burroughs, watching Mike Leigh with Mick Harris and the dangers of the artistic comfort zone.
At this year's Roadburn in Tilburg, Harry Sword finds a deviation from the sound synonymous with the festival's name and learns, for one thing, that "heavy music" has more than one meaning. All photographs by Erik Luyten, www.erikluyten.nl, all rights reserved
At this year's Roadburn in Tilburg, Harry Sword finds a deviation from the sound synonymous with the festival's name and learns, for one thing, that "heavy music" has more than one meaning. All photographs by Erik Luyten, www.erikluyten.nl, all rights reserved
As Oliver Ho releases the debut full-length from his Broken English Club alias on Cititrax this month, Harry Sword wanders through both his discography and the explorations of the surrealist mundanity and militaristic rhythms that litter this new body of work.
As Oliver Ho releases the debut full-length from his Broken English Club alias on Cititrax this month, Harry Sword wanders through both his discography and the explorations of the surrealist mundanity and militaristic rhythms that litter this new body of work.
With their fourth album, Last Of Our Kind, just released, the Lowestoft rock behemoths' singer and lead guitarist Justin Hawkins talks to Harry Sword in a wide-ranging interview, ranging from hedonism and touring with Lady Gaga to the travails of acid reflux and the "fucking genius" of David Hasselhoff
With their fourth album, Last Of Our Kind, just released, the Lowestoft rock behemoths' singer and lead guitarist Justin Hawkins talks to Harry Sword in a wide-ranging interview, ranging from hedonism and touring with Lady Gaga to the travails of acid reflux and the "fucking genius" of David Hasselhoff
Tad Doyle, veteran of the 90s Seattle scene with his former band TAD, releases his first album with his powerfully-monikered new doom trio later this month. Before that, he tells Harry Sword about exploring the sludgier end of the spectrum and drawing a line under the past
Tad Doyle, veteran of the 90s Seattle scene with his former band TAD, releases his first album with his powerfully-monikered new doom trio later this month. Before that, he tells Harry Sword about exploring the sludgier end of the spectrum and drawing a line under the past
Though The Bends has since been overshadowed by what followed, its release 30 years ago found Radiohead on the cusp of stardom. Wyndham Wallace joins them on a journey from their early days to their inevitable worldwide breakthrough. This article was first published on 3 March 2015
Keeley Forsyth’s debut album is an intimate document chronicling harrowing times. But, as she tells Derek Robertson, such darkness lies deep within us all, serving less as artistic inspiration and more as defining our shared humanity
On the release of a new compilation of Lou Reed’s 1960s compositions at Pickwick Records, Wayne Gooderham surveys the sprawling solo career that was to come later, and picks out ten key tracks that serve as guides to an intimidating post-Velvets discography
It cost the band their drummer, the support of the UK press and their major-label deal... yet twenty years after the peak of Britpop, Infernal Love looks like a lost classic of mid-90s rock, says Kiran Acharya