Our favourite music, country-by-country
David McKenna rounds up the cream of the latest electronic, jazz and indie rock releases from France, taking in Maghrebi sounds from Lyon, farty drum machines and oceanic musique concrete. Homepage image of TripleGo
In this month’s Genre is Obsolete, Adam Lehrer dives into new records by artists like GRIM, Crazy Doberman, Dial and more, while discussing noise music’s enduring status as an unusually independent and DIY economy and culture
David McKenna flags up some French compilations released in response to the Covid-19 crisis and reviews new music from Felicia Atkinson, Franco-Senegalese rapper Zuukou Mayzie and the final album from Black Devil Disco Club
In the fluid chaos and genre bastardization of noise, industrial, drone, no wave, and numerous forms of warped electronic music, Adam Lehrer finds an appropriate artistic embodiment of the condition of liquid modernity
With more focus on the revolutionary French sounds of the late 60s than ever before thanks to a revitalised Magma and interest in 'rock choucroute' via the Nurse With Wound list, David McKenna casts his ears around for today's far out sounds
In the third edition of our column tracking the sounds emanating from the Irish undergrowth, Eoin Murray finds improvised psych hysterics, drone documents of parenthood, expertly crafted hip hop and more
Richard Foster and Dmitry Teckel take a peek at the vastness of alternative Russian music outside the “big two” cities. Viking metal from Stavropol, goggle-eyed punks from satellite towns and righteous raving from Nizhniy Novgorod all feature
In the third of a series on the current Russian alternative music scene, we call on St Petersburg and find out how past glories still play a part, where club culture and improvised spaces drive scenes and why the city has a #moody reputation. And discover some committed and blockbusting rock-electro hybrids. Disclaimer! No battle rap!
In the second of a series on the current Russian alternative music scene, We find out why hassles with venues and house hunting help set Moscow’s scene, tune into some wall-melting electro hybrids and try and fail to understand whatever passes for alt-jazz here. (Disclaimer, no rap!)
In the first of a new series on the current Russian alternative music scene, Richard Foster looks at the influence of the social network VK, the power of sentimentality, and making an “alternative Internationale”. And provides an introductory music sampler
Our man from Accrington, Richard Foster, goes deep as he investigates soul-boy situationism, (pre)teen mumblerap, “techno shamanism”, nonstop laptop cabaret and tales of stolen geese whilst making sense of what constitutes (New) Weird Estonia
Liars have always been masters of mixing a boggling array of influences into a music that's unhinged, inventive and powerful. Here, Angus Andrew guides us through 13 of his favourite LPs, running the gamut from hip hop to smooth jazz and The Cure
With Grumbling Fur's new album Preternaturals out this week as the Quietus Phonographic Corporation's second release, Daniel O'Sullivan, one half of the magickal duo and prolific multi-instrumentalist, sits down to pen us his Baker's Dozen
As we get ready for this year's Supersonic Festival, Noel Gardner, John Doran and Luke Turner present their takes on what the underground we're calling New Weird Britain constitutes, from anti-corporate defiance, performance art, and a bold new exploration of landscape and place
In 2012, Tahita Bulmer of NYPC discovered masses of contact sheets of her father Rowan's photographs of the big names of Swinging London: Jimi Hendrix, Mick Jagger, Paul McCartney, Elton John and more among them. Here, Rowan talks Val Siebert through ten of our favourites. Photographs courtesy of Rowan Bulmer
Mogwai had to build a new world, apart from the mendacity of Britpop and the high postmodern sheen of New Labour, in order to create space for gestation. Their first two albums present a brilliant journey getting underway, says Danny Wright. Homepage portrait by Andy Willshire