Our columnists round up the best in their field
A temporal burp uploads a historical research dossier from the far future into The Quietus’ content management system. Portending the end of music, it gives a quick introduction to Rum Music, our newly returned column that tries to map new territories in the ever-shifting auditory dimension, along with a mix featuring the ‘best’ Rum Music of 2018
Do you like to soften your nihilism with hard-boogie geetar? Is queer tech-grind your go-to antidote for global socio-political meltdown? Do you rail against the mindless barbarism of austerity with help from mind-walloping noisepunk? Then this, dear friend, is the end-of-year list for you
It’s been a terrible year, in many ways, but either the absolute bullshit of our political discourse actually feeds the beautiful triffids that are flourishing across the musical landscape of New Weird Britain, or else they simply cannot be destroyed. Either way, time to enjoy the finest foulest releases of 2018, from Aman!!!’s Greek rebetiko to Night Thoughts’ coldwave goth to an unnerving Whigfield rethink/remix by Rian Treanor
One-time postman, Sean Kitching, talks to musician and label boss, Joe Thompson, and author and photographer, Kevin Boniface, about the ups and downs of the profession in the current perilous political and economic climate
Can you tell someone's life story in the album format? It was a question Mike Scott asked himself before making Life, Death And Dennis Hopper. Words: John Higgs. Cover portrait: Paul MacManus
As Andy Bell prepares to release his finest solo album to date, he guides Luke Turner through his Strange World, from his relationship to Erasure's hits, remixing Vince Clarke, touring with Cyndi Lauper, singing with Debbie Harry and a one-man play about a randy vampire.
Ray Aggs speaks to Zara Hedderman about the music created during their Samarbeta residency earlier this year, exploring their relationship with folk music as a person of colour, and released exclusively to tQ subscribers today. Plus, exclusive footage documenting its process, courtesy of Low Four
From his first discovery of The Velvet Underground to a cruise with Father John Misty, via mixtapes personally compiled for him by Spacemen 3 and encounters with Alex Chilton, Pulp’s Mark Webber takes Jonathan Wright through his favourite records
Mute Records boss Daniel Miller and former snooker champ turned kraut-psych powerhouse Steve Davis discuss their love of modular synthesisers, ill-fated Jools Holland collaborations, commandeering Elton John's ARP 2600 and more