From underage drinking soundtracked by Germs to the ton-of-bricks hit of Prince And The Revolution, via classics in hip hop, goth, easy listening and metal, former Liars and current Nonpareils musician Aaron Hemphill takes Luke Turner through an eclectic Baker's Dozen
As ADULT. prepare to tour Europe, Nicola Kuperus and Adam Miller tell Daniel Dylan Wray about their 13 favourite albums drawn from the tough and leather side of life, from Throbbing Gristle to Nitzer Ebb, Einstürzende Neubauten to Drexciya
With The Brian Jonestown Massacre's UK and Ireland tour in support of recent LP Revelation starting in Brighton on Saturday, the band's frontman shirks the album rundown request, opens up his DJ bag and gives Julian Marszalek a top 13 songs mixtape
Billy Reeves of Theaudience had his life thrown upside down in 2001 by a terrible car accident, he tells Fergal Kinney, and now his new band, The Helicopter Of The Holy Ghost, have released an album of old songs he can't even remember writing. N.B. readers who have been in traumatic traffic accidents may find some of the descriptions in this interview difficult to read
John Freeman heads up to Sunderland to eat falafel and meet with the Brewis brothers to find out why the sinewy pop of Field Music’s new album Commontime was inspired by fatherhood, Hall & Oates and hatred for a certain brand of 4x4 car
We were offered a very brief phone conversation with Lisa Gerrard of Dead Can Dance recently. There was nothing for it but to activate our many teeted, lizard agent from Interzone, Jonny Mugwump, whose feverish brain and forked tongue work in double time...
With a flurry of recent activity, including reissues and the promise of a book, Duncan Seaman talks to Jowe Head, Biggles Books and Phones Sportsman, as well as Geoff Travis of Rough Trade about the cult DIY band. Home page band portrait by Caroline Kraabel
Michael Chapman's is a remarkable tale: a singer/guitarist veteran of the '60s who last decade connected with US artists such as Thurston Moore and Jack Rose and started making beautiful and exploratory, improvisational music. Ahead of his performance at Supernormal Festival, he tells Russ Slater about staring at woodpiles and why he hates being called 'folk'