Catch up on our latest writing.
A new album from the Erasure, Blancmange and Wrangler axis reimagines eleven disparate tracks as cohesive analogue electronica. Wesley Doyle hears how old friendships and other people’s songs begat new music and original possibilities
Sean Kitching speaks to Brian Hageman, Mark Davies and Hugh Swarts of TFUL282 about recording at Steve Albini’s house and setting John Cage’s voice to a glitchy dancefloor banger, while offering 10 points of entry to their unique back catalogue
Ahead of their show at Bristol New Music, Bill Orcutt, Steve Shelley and Ethan Miller tell Jennifer Lucy Allan how a Grateful Dead tribute show led to their acclaimed new collaboration, the joy of bootlegs, and how they're avoiding the ego-driven pitfalls that have dogged supergroups past
With their eighth album Paradises out this week, Simon Price asks Ladytron founder Daniel Hunt to shed some light (and magic) upon ten entry points into the Scouse-based synth lords' (and ladies') pristine body of werk. And for top tier subscribers revelation is at hand via an essential playlist
In her Baker's Dozen, self-penned between the release of her latest solo album and the return of her much-loved band Black Box Recorder, Sarah Nixey charts her life in listening from Carpenters to The Cure, via encounters with David Bowie and more
Ben Cardew's new book, Space Age Batchelor Pad Music: The Story Of Stereolab In 20 Songs, recounts the tale of Stereolab in 20 songs that represent certain vital aspects of the band’s make up (from romance, to collage and repetition). In this extract, he looks at the idea of 'propulsion', as it relates to ‘Super-Electric’, the title track of the band’s second EP
Stevie Chick talks to Bob Mould and Greg Norton about blazing a trail in hardcore, the uneasy switch from independent to major label and their complex relationship with Grant Hart, plus paving the way for Pixies and Nirvana. Cover portrait courtesy of Greg Norton