A new album from the Erasure, Blancmange and Wrangler axis reimagines eleven disparate tracks as cohesive analogue electronica. Wesley Doyle hears how old friendships and other people’s songs begat new music and original possibilities
A new album from the Erasure, Blancmange and Wrangler axis reimagines eleven disparate tracks as cohesive analogue electronica. Wesley Doyle hears how old friendships and other people’s songs begat new music and original possibilities
With a post punk pedigree that stretches back to the origins of 4AD, The Wolfgang Press have made their first album for nearly 30 years, and the only thing it has in common with its predecessors is that it sounds nothing like them, they tell Wesley Doyle
With a post punk pedigree that stretches back to the origins of 4AD, The Wolfgang Press have made their first album for nearly 30 years, and the only thing it has in common with its predecessors is that it sounds nothing like them, they tell Wesley Doyle
Pet Shop Boys’ very own never-ending Dreamworld tour is back in the Capital for a five-night run at the Royal Opera House. But on a day when central London is host to multiple demonstrations about the kind of country the UK wants to be, are Tennant and Lowe losing their common touch?
Pet Shop Boys’ very own never-ending Dreamworld tour is back in the Capital for a five-night run at the Royal Opera House. But on a day when central London is host to multiple demonstrations about the kind of country the UK wants to be, are Tennant and Lowe losing their common touch?
It’s four decades since Nick Cave and the Bad Seeds released their debut album From Her To Eternity, a record that found Cave attempting a new musical and lyrical language that could free him from his past and help him create – and curate – his future, says Wesley Doyle
It’s four decades since Nick Cave and the Bad Seeds released their debut album From Her To Eternity, a record that found Cave attempting a new musical and lyrical language that could free him from his past and help him create – and curate – his future, says Wesley Doyle
When Einstürzende Neubauten formed in West Berlin 44 years ago, few would have predicted the speed-fuelled, metal-bashing industrial pioneers would be easing into their fifth decade by releasing their most coherent yet varied body of work so far. Frontman Blixa Bargeld tells Wesley Doyle how biological determinism, public improvisation and feather boas all fed into its creation
When Einstürzende Neubauten formed in West Berlin 44 years ago, few would have predicted the speed-fuelled, metal-bashing industrial pioneers would be easing into their fifth decade by releasing their most coherent yet varied body of work so far. Frontman Blixa Bargeld tells Wesley Doyle how biological determinism, public improvisation and feather boas all fed into its creation
Forty years ago this week Marc Almond released the album that almost finished his career. Derided at the time as an overblown, self-obsessed indulgence, Torment and Toreros is now considered a flawed masterpiece in the lineage of Lou Reed’s Berlin, Big Star’s Third, and Nick Cave’s Your Funeral…My Trial. Here the people who made the record tell its story in their own words.
Forty years ago this week Marc Almond released the album that almost finished his career. Derided at the time as an overblown, self-obsessed indulgence, Torment and Toreros is now considered a flawed masterpiece in the lineage of Lou Reed’s Berlin, Big Star’s Third, and Nick Cave’s Your Funeral…My Trial. Here the people who made the record tell its story in their own words.
*Conform to Deform: the Weird and Wonderful World of Some Bizzare* is an in-depth oral history of the legendary record label and its founder, Stevo Pearce. Techno pioneer Karl ‘Regis’ O’Connor – a huge fan of the label – met the book’s author Wesley Doyle to discuss how Some Bizzare impacted popular culture in the 80s
*Conform to Deform: the Weird and Wonderful World of Some Bizzare* is an in-depth oral history of the legendary record label and its founder, Stevo Pearce. Techno pioneer Karl ‘Regis’ O’Connor – a huge fan of the label – met the book’s author Wesley Doyle to discuss how Some Bizzare impacted popular culture in the 80s
Ahead of her live soundtrack at Branchage this weekend. David Moats talks to harpist and songwriter Serafina Steer about her work with John Foxx and Patrick Wolf, being classically trained, the difficulties of doing live soundtracks and psychedelia.
Michael Chapman's is a remarkable tale: a singer/guitarist veteran of the '60s who last decade connected with US artists such as Thurston Moore and Jack Rose and started making beautiful and exploratory, improvisational music. Ahead of his performance at Supernormal Festival, he tells Russ Slater about staring at woodpiles and why he hates being called 'folk'
Commissioned by Kevin Martin as part of our Bug Week, Rory Gibb meets Flowdan, one of the most distinctive voices in grime and beyond, to discuss Jamaican sound system culture's influence on UK music and the origins of The Bug's mighty anthem 'Skeng'