With his contribution to Stroboscopic Artefacts' new EP helping celebrate the label's fifth birthday just out, Theo Darton-Moore talks to the producer about his evolving aesthetic and taking a meticulous approach to track construction
With his contribution to Stroboscopic Artefacts' new EP helping celebrate the label's fifth birthday just out, Theo Darton-Moore talks to the producer about his evolving aesthetic and taking a meticulous approach to track construction
Both solo and as one half of Lakker, Dublin's Eomac is responsible for some of the most wiry, intricate and freakily banging club music around right now. Playing Corsica Studios this weekend, he tells Theo Darton-Moore about capturing the elusive energy of rave and his stellar new LP Spectre
Both solo and as one half of Lakker, Dublin's Eomac is responsible for some of the most wiry, intricate and freakily banging club music around right now. Playing Corsica Studios this weekend, he tells Theo Darton-Moore about capturing the elusive energy of rave and his stellar new LP Spectre
Ahead of a show this Saturday at London's Southbank Centre, Catherine Anne Davies takes us through the 13 albums that have defined her life and work as The Anchoress, from childhood memories soundtracked by The Carpenters and lifechanging encounters with the Manics and PJ Harvey as a teen, to newfound infatuations with SZA and The 1975,
Jude Rogers speaks to Rachel Unthank about her abiding love for and political importance of maintaining the folk tradition... but explains she wasn't averse to a bit of Faith No More when it all got too much. This week's Baker's Dozen.
When we return from a festival bursting with effusive praise, it’s hard not to approach our recollections with a hint of suspicion. Surely, looking back, Roskilde can’t have been quite that good? But on reflection we’ve realised that yes, Scandinavia’s flagship festival really is a marvel