Following his involvement in Tai Shani's The Spell or The Dream at Somerset House, Mo'min Swaitat of the Palestinian Sound Archive tells Rob Corsini about how the project is preserving Palestine’s musical and cultural history
As the world was changing irreversibly, from 1999 to 2001 Jimmy Eat World went from DIY band done good, to powerhouse name, to international phenomenon – the story of emo itself in microcosm. For Emma Garland, their encapsulation of the subculture's multi-generational range is emo's definitive three album run
Jaša Bužinel reflects on the importance of outside recognition and the influence of industry-fed dogmas on the success of aspiring artists, and reviews releases covering devilish UKG, Swedish minimal tech, bubbly deep house from Japan and more
Richard Foster reports back from another stellar edition of the Utrecht Festival, where he finds equal space for spiritual nourishment gibbering wig-outs, courtesy of Valentina Magaletti, upsammy, EarthBall, The Fiery Furnaces and many more