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Peaches

No Lube So Rude

Back after eleven years and filthier than ever, Peaches returns with an album full of bangers and more than a few profanities – but does it all get a bit one note sometimes?
Reviews

Michael Moorcock and The Deep Fix

The New Worlds Fair

A brand new deluxe and remastered edition of the SF author's album with Steve Gilmore and Graham Charnock sounds dolorous and kaleidoscopic, finds Jeremy Allen
Reviews

Anton Anishchanka

Krope

The Minsk-based field recordist and composer leads an extraordinary psychogeographic ramble around Belarus
Reissue of the Week

Reissue of the Week: Before Aksak Maboul (Documents & Experiments 1969-1977)

Jeremy Allen finds much to celebrate in an early doors odds and sods compilation from the Belgian underground powerhouse, Aksak Maboul
Strange World Of...

The Strange World Of… Early Cabaret Voltaire

Jeremy Allen talks to Stephen Mallinder about The Cabs' first decade, the eternal struggle to find the right drum machine and inventing anti-fascist dance routines. Cabaret Voltaire rehearsal shot by Pete Hill
Baker's Dozen

Set Everything On Fire: Ron Mael of Sparks’ Favourite Albums

The implacable Ron Mael talks Jeremy Allen through his 13 favourite albums, from fiery free jazz to cutting edge J-pop, via militant hip hop and Bach. Portrait by Munachi Osegbu
Reviews

Kieran Hebden + William Tyler

41 Longfield Street Late ‘80s

Dudes from Four Tet and Lambchop pick up their acoustic guitars and take a look at America
Reviews

Baxter Dury

Allbarone

Backed up by super producer Paul Epworth, the latest from Dury Jr finds the singer at his rawest – and perhaps most exposed
Reviews

Prolapse

I Wonder When They’re Going To Destroy Your Face

More than a quarter-century since their last album, the Leicester post-punks sound as sludgy and dyspeptic as ever
Album of the Week

Wrestle Mania: The Future Is Here And Everything Needs To Be Destroyed by The Armed

Detroit hardcore collective go very hard indeed, but beneath all the sludge there's a shining pop sensibility glinting through
Reviews

Various Artists

For Gaza With Love Vol. 1

Benefit compilation for the PalMed Academy in Gaza features new music from Rich Dawson, Belle and Sebastian, and others
Reviews

Qur’an Shaheed

Pulse

The Pasadena artists pulls and stretches r'n'b into strange and psychedelic new shapes
A Quietus Interview

Their Own Method: Haress Interviewed

Elizabeth Still and David Hand discuss their hypnotic folk process audible most clearly on current album Skylarks. Words: Jeremy Allen. Portraits: Maria Jefferis
Album of the Week

Gotta Have It: More by Pulp

The first album in over two decades from the trailblazing Sheffield group asks, just how ribald can a man in his 60s get away with being in 2025?
Reviews

Death in Vegas

Death Mask

1990s indie-dance survivor Richard Fearless returns with a record that offers a glimpse of something more personal beneath the clattering drum machines and psychedelic organ sounds
Album of the Week

Everything is Permitted: Alamut by Laibach

Slovenian Martial Industrialists embark on what may be their most intrepid gambit yet – will they succeed? On the evidence of their latest album, it has at least pushed them towards some of their most adventurous and experimental music yet, finds Jeremy Allen
Reviews

Das Kinn

Ruinenkampf

Frankfurt's former geriatric nurse imagines The Stranglers discovering EBM on experimental Hamburg label Bureau B
Reissue of the Week

Reissue of the Week: Berserker by Gary Numan

If there is one Gary Numan album left to be rediscovered and reassessed from his mid 80s through 90s doldrums, then it is the commercial but not creative misstep Berserker, says Jeremy Allen
Reviews

Hawkwind

There Is No Space For Us

With their banks of synths and the addition of Thighpaulsandra, Jeremy Allen makes the case for the English space rock band's late period
Reviews

Destroyer

Dan’s Boogie

Dan Bejar finds humour in his own irascibility, still room for plenty of gravity and grit
Anniversary

Tangerine Dream’s Rubycon Half A Century On

Jeremy Allen considers the special plight of the brilliant album which commits the crime of only refining a sound when the previous album originated it
Reissue of the Week

Reissue of the Week: Nico’s Chelsea Town Hall

Jeremy Allen celebrates a timely reissue of a stunning live album that challenges received wisdom about Nico in the 1980s
Reviews

Peter Harris, Fritz Catlin, Lee Scratch Perry

Mercy

Posthumous collaboration for the Upsetter featuring Peter Harris and 23 Skidoo's Fritz Catlin
Reviews

The Residents

Doctor Dark

Stalwart Californian weirdos create a three-act avant-metal opera inspired by Judas Priest’s notorious 1990 trial for supposedly satanic subliminal messages
Reviews

Sophia Djebel Rose

Sécheresse

French-Morroccan artist combines folk songs with her own material to powerful effect, finds Jeremy Allen
Reviews

Edvard Graham Lewis

Alreet?

Nearly forty years since his first solo album, the Wire bassist/vocalist might just have released his best work to date, finds Jeremy Allen
Reviews

Primitive Ignorant

Psychic Cinema

Widescreen electro-pop from the former Eighties Matchbox B-Line Disaster bassist now busily developing his own cyberpunk-adjacent synthwave aesthetic
Reissue of the Week

Reissue Of The Week: The Holy Grail – Bill Callahan’s “Smog” Dec. 10, 2001 Peel Session

A Lynchian collection of recordings from a vintage Peel Session throw the differences between the Bill Callahan of today and his former moniker Smog into sharp relief, says Jeremy Allen
Reviews

Sal Dulu

Nafuchsia In Fantasy

Irish beat-maker raises hell (with a little help from Fly Anakin)
Reviews

Teho Teardo & Blixa Bargeld

Christian & Mauro

Einstürzende Neubauten frontman steps into a fine velvet lounge suit for a suite of richly orchestrated songs in a continuing fruitful collaboration with Italian polymath composer Teho Teardo
Reviews

Underworld

Strawberry Hotel

British electronic music duo go Grand Hotel with fifteen tracks that take in everything from Monteverdi to Nina Nastasia
Reviews

One True Pairing

Endless Rain

Former Wild Beast releases his inner sad boy, but there’s weirdness to the moping, finds Jeremy Allen
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