In the final year of his university music course, Bristol producer Bruce decided to leave behind electro-acoustic experimentation to make self-described 'bangers'. He tells Glenn Raymond why he's hoping to shake people's expectations with his mangled dancefloor constructions
In the final year of his university music course, Bristol producer Bruce decided to leave behind electro-acoustic experimentation to make self-described 'bangers'. He tells Glenn Raymond why he's hoping to shake people's expectations with his mangled dancefloor constructions
Lesley Chow dissects the (semi-) serious intent behind Stephen Malkmus' nonsensical rhymes on Pavement's 3rd album which was positioned as the "logical end-point of rock". This feature was originally published in 2020 to mark the album's 25th anniversary