On the launch of their third LP, the ironically titled Jolly New Songs, Brendan Telford speaks to Polish avant-punks Trupa Trupa’s Grzegorz Kwiatkowski about forsaking democracy for collective creativity, dark histories and the disconcertion of happenstance
On the launch of their third LP, the ironically titled Jolly New Songs, Brendan Telford speaks to Polish avant-punks Trupa Trupa’s Grzegorz Kwiatkowski about forsaking democracy for collective creativity, dark histories and the disconcertion of happenstance
Over twenty years of creating immersive soundscapes and joining forces with the finest musicians and composers across the globe, Lawrence English shows no signs of slowing down. He speaks to Brendan Telford about the aural ley lines that have led him on this journey
Over twenty years of creating immersive soundscapes and joining forces with the finest musicians and composers across the globe, Lawrence English shows no signs of slowing down. He speaks to Brendan Telford about the aural ley lines that have led him on this journey
The nihilistic bombast and bluster that is the noise of Hey Colossus showcases a disparate cache of men desperate to beguile, bewilder, and laugh at the demise of all around them – including themselves. Brendan Telford looks at this bludgeoning compilation that spans the band’s brutal, mystical history
The nihilistic bombast and bluster that is the noise of Hey Colossus showcases a disparate cache of men desperate to beguile, bewilder, and laugh at the demise of all around them – including themselves. Brendan Telford looks at this bludgeoning compilation that spans the band’s brutal, mystical history
“We were the most exciting band in the world, but the world never quite realised it,” claims mainman Keith Dobson of the gargantuan World Domination Enterprises. With their 1988 debut reissued at last, Wyndham Wallace tells his story and wonders if the time is finally right for them to do big business
As the band prepare for the release of new album Everything Was Forever, Sea Power's Jan Scott Wilkinson discusses the influence of his "kooky but endearing" family, dropping 'British' from the band's name, and the pros and cons of chaos
Rachel Zeffira steps away from her Cats Eyes project to set up a label and release her first solo album, The Deserters. Luke Turner speaks to her about the LP, growing up in a Canadian smelting town, and an unfortunate incident involving an oboe and a tattoo
With a surprise new album, Owen Pallett returns to the story of the “young, ultra-violent farmer” Lewis, and has drafted in the London Contemporary Orchestra to help out. Rob Hakimian is on hand to ask about the sonic and narrative details that went into the creation of this long-awaited record