In 1995, Polly Harvey reinvented herself as a pink catsuit-wearing vamp peddling an album of stormy gothic American blues. But was it really such a surprise? Ben Hewitt argues the transformation only put up in lights what Harvey had already shown: she was an actor as much as a singer
In 1995, Polly Harvey reinvented herself as a pink catsuit-wearing vamp peddling an album of stormy gothic American blues. But was it really such a surprise? Ben Hewitt argues the transformation only put up in lights what Harvey had already shown: she was an actor as much as a singer
The Smiths’ last studio album was their most ambitious, adventurous and experimental, too. Thirty years on, Ben Hewitt looks back on the forward-thinking record that could have been the start of a new chapter, rather than a full-stop
The Smiths’ last studio album was their most ambitious, adventurous and experimental, too. Thirty years on, Ben Hewitt looks back on the forward-thinking record that could have been the start of a new chapter, rather than a full-stop
Ahead of the release of her new album 2t2, Cosey Fanni Tutti is interviewed by inimitable film director Peter Strickland, before the tables are turned, with both parties free from any kind of interference from us