As two major exhibitions in Norwich explore the life and work of WG Sebald, Adam Scovell looks at his writing and photographs and uncovers fears at the circular nature of history that chime with contemporary anxieties. Photographs courtesy of Norwich Castle Museum. Colour portrait of Sebald by Basso Cannarsa.
As two major exhibitions in Norwich explore the life and work of WG Sebald, Adam Scovell looks at his writing and photographs and uncovers fears at the circular nature of history that chime with contemporary anxieties. Photographs courtesy of Norwich Castle Museum. Colour portrait of Sebald by Basso Cannarsa.
A quarter of a century after the death of Derek Jarman in February 1994, Adam Scovell looks back at one of the most radical artists of his day, and wonders where we might find his ilk today. All images courtesy of the BFI.
A quarter of a century after the death of Derek Jarman in February 1994, Adam Scovell looks back at one of the most radical artists of his day, and wonders where we might find his ilk today. All images courtesy of the BFI.
With Brexit looming on the horizon like a, well, a massive wicker man, writer Adam Scovell, author of the forthcoming book Folk Horror: Hours Dreadful And Things Strange, looks back at Robin Hardy's 1973 cult classic and finds surprising parallels between it and our current political predicament
With Brexit looming on the horizon like a, well, a massive wicker man, writer Adam Scovell, author of the forthcoming book Folk Horror: Hours Dreadful And Things Strange, looks back at Robin Hardy's 1973 cult classic and finds surprising parallels between it and our current political predicament
In 2012, Tahita Bulmer of NYPC discovered masses of contact sheets of her father Rowan's photographs of the big names of Swinging London: Jimi Hendrix, Mick Jagger, Paul McCartney, Elton John and more among them. Here, Rowan talks Val Siebert through ten of our favourites. Photographs courtesy of Rowan Bulmer
Mogwai had to build a new world, apart from the mendacity of Britpop and the high postmodern sheen of New Labour, in order to create space for gestation. Their first two albums present a brilliant journey getting underway, says Danny Wright. Homepage portrait by Andy Willshire