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Electronic
Hyperspecific: Dance Music For February, Reviewed By Jaša Bužinel
Hyperspecific is back with the first instalment from our new columnist Jaša Bužinel, bringing you a selection of exciting new releases from Kode9, Autechre, Rian Treanor, Venus Ex Machina, Pauline Anna Strom and Giant Swan, among others
Electronic
Hyperspecific: April And May’s Electronic Music
April and May's round-up of the best electronic music looks at the slew of exceptional drum & bass emerging of late from labels like Samurai Music and UVB-76 Music, while also reviewing new releases from Roza Terenzi, Gábor Lázár, Steevio, Beta Librae, object blue and more
Electronic
Hyperspecific: October and November’s Electronic Music
For the latest edition of our electronic music round-up, Christian Eede assesses the oversaturated market of large venues competing to book certain acts, while also reviewing new releases from Pauline Anna Strom (pictured), LOFT, Joe, Toresch and more
Electronic
The Month’s Electronic Music: Taking Stock
In this month's edition of our electronic music column Hyperspecific, Christian Eede looks back at some of the best mixes the year so far has had to offer, while also reviewing new releases from LAPS (pictured), D. Tiffany and Klaus amongst others
Electronic
The Month’s Electronic Music: Looking Forward
In the first edition of his Hyperspecific column for 2017, Christian Eede takes a look at what he hopes might be in store for the 12 months ahead, as well as reviewing releases from Shanti Celeste (pictured), Burnt Friedman, Leif, RAMZi and more. Photo courtesy of Nic Kane
Electronic
Digging The Past: The Month’s Electronic Music
For the latest edition of Hyperspecific, Christian Eede casts an eye over some of the month's best reissues while reviewing new releases from Bruce (pictured), Call Super, Marie Davidson, Anthony Child and more. Photo courtesy of G.K. Stephens
Electronic
The Month’s Electronic Music: Casting Ahead
Christian Eede kicks off the year in electronic music with a look at what may lie ahead in 2016, particularly for the UK's clubs, alongside releases from Shanti Celeste, Manchester's Meandyou collective and the South Africa-based proponents of the emerging Gqom sound
Electronic
The Month’s Electronic Music: Something In The Water
Christian Eede continues at the reins for the latest round-up of the month's best electronic music, taking a look at a variety of recent releases from Bristol as well as new records from Kamixlo (pictured), Call Super, DJ Richard, Pearson Sound, Laurel Halo and more
Electronic
The Month’s Electronic Music: Finding Vital Spaces
Rory Gibb temporarily hands over the reins to Christian Eede for the latest edition of Hyperspecific as he reviews a selection of the month's best releases, including records from Kuedo (pictured), Spatial and Beatrice Dillon, and looks back over a night at London's Tropical Waste party
Electronic
One Take: A New Grime Column By Tomas Fraser
The Quietus finally has a grime column! In the first instalment, Tomas Fraser witnesses an epic DJ set by Slackk at Peckham's Rye Wax and reviews new tracks from Dark0, the infernally young DeeCee and Ruff Sqwad stalwart Rapid. There's also a look at the imagery of Wot Do You Call It, who provided this photograph of Rapid
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Beyond The Hits
Aphex Twin: Quietus Writers Select Their Deep Cuts
With new album Syro just announced Dale Berning Sawa, Joe Banks, Emily Bick, Charlie Frame, Joe Clay, Tristan Bath, Ned Raggett, John Doran and Cian Traynor select their favourite album cuts, side-project tracks, collaborations, b-sides and rarities
Things I Have Learned
Water From Your Eyes’ Rachel Brown on Watching TV
Long before vocalist Rachel Brown began pursuing music, they dreamed of writing for the small screen. Ahead of releasing their disorientating, technicolour new album with Water From Your Eyes, they explain this lifelong passion to Alastair Shuttleworth
Live Reviews
Take Me to a Happiness Beyond Human Reach: The The Live in Brixton
Tariq Goddard finds himself not just entertained but understood by Matt Johnson as he sees him perform new The The album Ensoulment in full before a run of greatest hits. But, in an era where music has ceded its centrality in everyday life, were he and 5000 others packed into an echo chamber?
