Marry Waterson might have been born into a folk dynasty but that didn't stop her becoming a biker. With a new LP out and her mother and uncle's Bright Phoebus LP recently reissued, she guides Jude Rogers through 13 favourite LPs from The Beatles to The Band and Billie Holiday
With the UK leg of their European tour drawing to a close with sets in Bristol tonight and on the Quietus' Desertfest stage tomorrow, Lee Buford of the none-bleaker American sludge duo picks out 13 all-time top records and pens us his own Baker's Dozen
Tim Burrows speaks to the all-female 70-strong Lips choir at their recent gig with Goldfrapp about the importance of creating autonomous spaces of song in a sexist and nasty age. Photographs by Hayley Hatton, live picture by Christie Goodwin
The Rotherham-based musician and artist looks back 40 years and considers the noise of industry, the noise of industrial action, the noise of excessive police violence and electronic music as political resistance. Digital and 35mm photographs of the site of the former Orgreave Coking Works taken by Max Roberts. In memory of drummer and producer Keith LeBlanc
Forty-five years after it was first released, Joseph Burnett returns to Young's fifth solo record, an album that marked an angered transition from Harvest, bolstered by some of his bleakest and greatest moments. This feature was first published on 9 August 2014
The penniless genius creating work in his or her garret is a long-standing staple of popular culture, exploited for good PR by artists from Bob Dylan to Seasick Steve and Pete Doherty. But, says Eamonn Forde, the reality of life faced by artists like Lawrence of Mozart Estate, is not something to be celebrated by lazy music fans
In this month's Low Culture Essay, Wrongtom weaves the life of his jazz pianist grandad into his encounter with Norman Cook & co's 1990 hit single, and explores how it changed his own musical trajectory