Troubled by facts that felt like fiction, Anna Doble feared Patrick Keiller's 1994 film might all be an in-joke. But, as she writes in this month's Low Culture Essay, it created a magic-real place that she would later explore through song.
Whether working in Blaxploitation, horror or sc-fi, auteur Larry Cohen was often battling against constraints created by money, time and his own skill set, says Mat Colegate, but ultimately he trained a satirical eye on America few could match