From DIY beginnings in McCarthy, to situationism, to establishing the influential Duophonic Records, to influencing future bands like Deerhunter, Lottie Brazier charts the remarkable voyage of one of France and Britain’s most successful co-achievements besides the Channel Tunnel: Stereolab
Through a series of excellent releases over various small labels, Tim Gane, Stereolab founder and former McCarthy man, has developed a distinct new instrumental electronic sonic offering with Cavern Of Anti-Matter. Here, he tells Colm McAuliffe how it came together
Best known for his collaborations with Harold Pinter, celebrated American import Joseph Losey's work ranges from film noir to art-house to ill-advised pulp. But as Robert Barry argues, a strong political conscience runs throughout much of his varied output.
As the dizzying syncopations of Chicago footwork have spread across the globe over the last couple of years, DJ Rashad has become one of its primary ambassadors. With a new EP recently released through Hyperdub, he speaks with Charlie Frame about sample slicing and versatility. This article was originally published May 2013, republished following the sad passing of DJ Rashad in April 2014
In the French electronic duo's third album, Jeremy Allen finds not only a a work that sets right any misstep that may have occurred between 2007's † and the present day, but also a potent commingling of their anachronistic mechanical workings with a touch of the human hand, reaching out
In Frank Ocean's long (long) awaited third album, Tara Joshi finds the artist asking questions about the positive and negative effects of the immediacy of our age and is left with her own about expectation and lasting change in the face of its subversion