The mainstream music biz reckons that devoted fans are the golden geese that'll keep laying, and the streaming services are about to get in on the grift. Eamonn Forde explains why this makes no business sense
Despite the predictably & performatively negative reaction the Japanese artist inspires in some critical quarters, it is clear she has been responsible for a cavalcade of bangers over the decades. With a new retrospective at the Tate Modern, Jeremy Allen explores her back catalogue
We set crate digger extraordinaire, Bill Brewster another challenge. This week, make us a set culled from the less fashionable - mainly white, blue collar and European - backwaters of funk rock… he came up with some beauties
Reflecting at length upon his intimate relationship with British music from his office in Nashville, Tennessee, the alt-country veteran at the heart of Lambchop discusses freedom, interpretation and the lasting effect on him of 1970s Sheffield with Luke Cartledge
Dirty Projectors' sixth album, Swing Lo Magellan, marks a shift from the meticulous structures of their previous albums towards a more direct and heartfelt approach to songwriting. Chad Parkhill discussed this transition with lead Projector David Longstreth
On Olga Bell's new album Krai, the Brooklyn-based composer and singer explores the imagined hinterlands of her home country of Russia. She speaks with Ed Power about childhood memories, working with Dirty Projectors and why the album is a work of sonic fiction
Preparing to spend a few days amidst baking heat and baked Europeans, the Quietus staff run through a selection of anticipated highlights from next week's Sonar Festival in Barcelona, from turbo-charged grime and kuduro to blazing techno and industrial pop