The mainstream music biz reckons that devoted fans are the golden geese that'll keep laying, and the streaming services are about to get in on the grift. Eamonn Forde explains why this makes no business sense
Despite the predictably & performatively negative reaction the Japanese artist inspires in some critical quarters, it is clear she has been responsible for a cavalcade of bangers over the decades. With a new retrospective at the Tate Modern, Jeremy Allen explores her back catalogue
We set crate digger extraordinaire, Bill Brewster another challenge. This week, make us a set culled from the less fashionable - mainly white, blue collar and European - backwaters of funk rock… he came up with some beauties
Reflecting at length upon his intimate relationship with British music from his office in Nashville, Tennessee, the alt-country veteran at the heart of Lambchop discusses freedom, interpretation and the lasting effect on him of 1970s Sheffield with Luke Cartledge
“I think this is best record in the world,” underground Czech legend Bruno Ferrari tells Wyndham Wallace. “Because I hear only my record. I fuck on all other bands.” Contains NSFW video clips. All photographs by the author
Ahead of a short UK tour, Jane Weaver tells John Freeman how her stellar sixth solo album, The Silver Globe, was inspired by a Polish sci-fi movie and her desire to remove self-imposed shackles, resulting in the finest record of her 20-year career
Legendary Latin-jazz percussionist SHEILA E gives Simon Price a ticking-off for asking too many Prince questions. And tells him about her new album, her autobiography, her charity work, and her relationship the Almighty. Oh, and also about Prince. (A bit)
Some say that Leslie Winer aka © invented trip hop in 1990 with her album, Witch. Now she’s back with a retrospective compilation and Wyndham Wallace meets the reclusive former supermodel. Main picture by Sébastien Chou
Gwen Siôn speaks to Jude Rogers about how her love of dubstep raves in tunnels became a creative practice of turning the slate of North West Wales into music, blending field recordings with choral song, and how landscape art is political