In this month’s podcast, Luke Turner and John Doran sing the praises of this collection of songs both original and covers, from Grace Jones’ artistic imperial phase, recorded at Nassau's Compass Point Studios in the early 1980s
With the imminent publication of his autobiography (co-authored with Paul Morley), Island Records founder Chris Blackwell talks to Matthew Ingram about recording sessions with Grace Jones, the importance of good cover art, and the trouble with U2
Compass Point Studios, and its house band the Compass Point All Stars, were going to be Chris Blackwell and Island Records’ defining statement to the world. Instead, they provided Grace Jones’s. And that, says David Bennun, looking back at the three extraordinary records she made there between 1980 and 1982, is more than enough
The transportive, ritualistic drones of London's Anji Cheung conjure up portals to uncanny other worlds, heavy with the thrill of the unknown. Ahead of her performance at Supernormal this weekend, she meets Jimmy Martin to discuss a fascination with the occult, and how Throbbing Gristle and Coil have inspired her music's trips into inner space
With her latest record Six just released through Thrill Jockey, Thalia Zedek speaks to Nick Hutchings about immersing herself totally in music in recent years, last year's acclaimed album Via, and reanimating her Come project with Chris Brokaw