Vol.1 Brooklyn managing editor Tobias Carroll writes on geographical anxiety, the near-reality of the post-apocalyptic science fiction narrative and the contemporary relationship of distrust between man and nature. (Photograph by Carlos Gutierrez)
Vol.1 Brooklyn managing editor Tobias Carroll writes on geographical anxiety, the near-reality of the post-apocalyptic science fiction narrative and the contemporary relationship of distrust between man and nature. (Photograph by Carlos Gutierrez)
A sunlit summer park in East London might be a million miles from grimy 1970s New York, but Chris Roberts finds true wonder in Patti Smith's performance of Horses on the Quietus/EYOE main stage at Field Day. There's life in the old nag that is rock & roll yet. Photos by Valerio Berdini
Rose Kallal straddles the art and music world, says Russell Cuzner. With a performance praxis that revolves around arcane video loops, and an album of dystopic synth soundtracks recently put out on Paul Purgas of Emptyset’s We Can Elude Control label, we sat down with her to discuss how technology, astrology and the elements are the hidden forces behind her mesmeric multimedia work
“We were the most exciting band in the world, but the world never quite realised it,” claims mainman Keith Dobson of the gargantuan World Domination Enterprises. With their 1988 debut reissued at last, Wyndham Wallace tells his story and wonders if the time is finally right for them to do big business