Tariq Goddard finds himself not just entertained but understood by Matt Johnson as he sees him perform new The The album Ensoulment in full before a run of greatest hits. But, in an era where music has ceded its centrality in everyday life, were he and 5000 others packed into an echo chamber?
Tariq Goddard finds himself not just entertained but understood by Matt Johnson as he sees him perform new The The album Ensoulment in full before a run of greatest hits. But, in an era where music has ceded its centrality in everyday life, were he and 5000 others packed into an echo chamber?
Rather than the miserabilists they’re often unfairly painted as, watching The Cure at Wembley Tariq Goddard finds a band of sincerity and empathy, with superb new songs of colossal scale and a bond between artist and audience that continues to grow tighter and more heartfelt as time keeps passing
Rather than the miserabilists they’re often unfairly painted as, watching The Cure at Wembley Tariq Goddard finds a band of sincerity and empathy, with superb new songs of colossal scale and a bond between artist and audience that continues to grow tighter and more heartfelt as time keeps passing
Tariq Goddard didn't realise that he liked metal until he went to see Neurosis live at Koko and found their "songs of engagement and endurance" chimed with his own advancing years. Photos © Benedetto Manzella for the Heathen Harvest Periodical, 2016
Tariq Goddard didn't realise that he liked metal until he went to see Neurosis live at Koko and found their "songs of engagement and endurance" chimed with his own advancing years. Photos © Benedetto Manzella for the Heathen Harvest Periodical, 2016
Following the release of his 21st album, Electric, earlier this year, Richard Thompson talks to Tariq Goddard about why he prefers living in the suburbs, sidestepping 60s excess and his relationship with his back catalogue
Following the release of his 21st album, Electric, earlier this year, Richard Thompson talks to Tariq Goddard about why he prefers living in the suburbs, sidestepping 60s excess and his relationship with his back catalogue
Tariq Goddard was recently given the International Independent Publishers Award for Horror. The Quietus brings you an extract from his new tome _The Picture Of Contented Wealth_ - the cover of which was designed by Suede's Matt Osman! Plus, an interview with the author himself
Tariq Goddard was recently given the International Independent Publishers Award for Horror. The Quietus brings you an extract from his new tome _The Picture Of Contented Wealth_ - the cover of which was designed by Suede's Matt Osman! Plus, an interview with the author himself
In a year that sees him finish his 'magical memoir', a new album with The Red Elastic Band and a career-spanning homecoming show in Liverpool, former Shack, Strands and Pale Fountains frontman Michael Head takes Patrick Clarke through the 13 records that shaped him
In our monthly subscriber-only essay, writer Paul Flynn describes being handed a flyer for an unusual literary event which acts as a madeleine, casting him back to the 1980s, and a sexual and sonic awakening. Detail from the UK AIDS Memorial Quilt photographed by the author
On the release of his new film Vortex, Gaspar Noé takes Patrick Clarke through an intense and adventurous Baker's Dozen of favourite films, and the lessons they've taught him on the extent of human cruelty and the joy of shocking an audience
Digging into Klara Lewis' second full-length, Amelia Phillips finds an artist balanced on the knife edge of internal/external experience, and a musical narrative that puts the listener at the subjective forefront even as it details and abstracts the objectivity of the physical world around it
Low Culture is a new series where tQ writers use lockdown time to pull some of their favourite music, films, games and books off the shelves in order to tackle an idea that's been bugging them for a long time. In the first instalment John Doran argues that the Velvet Underground only really hit their true peak after they lost Nico, Warhol and Cale