In the first edition of his Hyperspecific column for 2017, Christian Eede takes a look at what he hopes might be in store for the 12 months ahead, as well as reviewing releases from Shanti Celeste (pictured), Burnt Friedman, Leif, RAMZi and more. Photo courtesy of Nic Kane
With the imminent release of his score for Arrival, the latest in a now thriving partnership with Denis Villeneuve that will see him take on Blade Runner next year, the Icelandic composer shows traditional reluctance in crafting a list of defining albums and opts instead of 13 works that exemplify a philosophy of minimal gestures with maximum impact
The Carling Weekend was a rite of passage for many youngsters, but JR Moores got more than he bargained for when he attended Leeds Festival in 2002. He recalls police helicopters, burning portaloos and petulant headliners; and asks "What was that all about?"
Oren Ambarchi is set to open Unsound New York this week with a performance of his composition Knots, and another show scheduled for Sonar in June. He speaks to Albert Freeman about a renewed interest in rhythm, his forthcoming Knots record on PAN, and composing music for dance and theatre