Fabulous Diamonds' heat-hazed mix of punk, psych and dub ranks them among the most original acts in the Australian underground. As Steph Kretowicz discovers when they meet to discuss recent LP Commercial Music, their creative impulses are tempered by a contrary streak
Fabulous Diamonds' heat-hazed mix of punk, psych and dub ranks them among the most original acts in the Australian underground. As Steph Kretowicz discovers when they meet to discuss recent LP Commercial Music, their creative impulses are tempered by a contrary streak
Australian interstate three-piece Bushwalking root their dreamy, folk-leaning songs in the realities of everyday life, keeping their debut album First Time an enticingly earthy proposition. Steph Kretowicz chats to them about how their home country is expressed in their music
Australian interstate three-piece Bushwalking root their dreamy, folk-leaning songs in the realities of everyday life, keeping their debut album First Time an enticingly earthy proposition. Steph Kretowicz chats to them about how their home country is expressed in their music
Eight years ago, everyone wanted to know what producer Lewis Roberts' next move would be but then he 'disappeared' into obsessive work on his singular debut album Agor, which has finally surfaced. Luke Turner talks to him about the apocalyptic nature of Cafe del Mar, the alterity of the coast and FKA Twigs
As the polls close in the contest to become Labour's candidate for London Mayor, we publish an interview with Ken Livingstone on music, politics, the day Thatcher dies, and who would be better at running London: Boris or Boris?
Chris Watson is the Sibelius of the tape recorder. Ahead of his appearance with Felicia Atkinson at Kings Place next month, Luke Turner speaks to him about twelve key points in his career from early tape experiments to recording at Chernobyl, via a founding stint in Cabaret Voltaire