In 2014 Kendrick Lamar found himself in South Africa, an experience that helped to shape his third studio record, which is perhaps his most complex and enduring statement. Siobhán Kane revisits To Pimp A Butterfly
In 2014 Kendrick Lamar found himself in South Africa, an experience that helped to shape his third studio record, which is perhaps his most complex and enduring statement. Siobhán Kane revisits To Pimp A Butterfly
Squarepusher once said he has no recollection of making Ultravisitor, his “spectacle of beauty and of terror”. As the record is reissued as an expanded edition for its 20th anniversary, Siobhán Kane returns to the record’s ambiguous beauty
Squarepusher once said he has no recollection of making Ultravisitor, his “spectacle of beauty and of terror”. As the record is reissued as an expanded edition for its 20th anniversary, Siobhán Kane returns to the record’s ambiguous beauty
Ahead of a much-anticipated slot at this year’s Supersonic Festival, the Canadian-Zambian rapper speaks to Alex Rigotti about her pivot away from industrial beats, the end of her award-winning album trilogy and an embrace of considered craftsmanship on Only Dust Remains. Content warning: this article contains discussions of suicide.
While black metal history is often the story of errant youth reaping chaos, Agriculture plough their own furrow. Dan Franklin meets a band who sow explosive seeds via songwriting and then reap joyous brinkmanship onstage. Main portrait by Olivia Crumm
Ahead of the North American premiere of their ongoing collaboration at this year’s MUTEK Festival, upsammy and Valentina Magaletti speak to Jennifer Lucy Allan about architecture as an instrument, and striking a balance between turbulence and clarity
The Manics have abandoned the ideologies and cultural touchstones that once defined them, and approached their fifteenth record with "no MO," says James Dean Bradfield. He speaks to Patrick Clarke about how it's left him with a rare sense of freedom in a world where "reality resembles fiction"