"I know they look like Skeletor's fingers but give 'em some time and they taste like real chicken, not like breast implants and doom". Sam Herlihy brings you a guide to bargain shopping. Photograph by Barney Britton www.photoinsensitive.com
"I know they look like Skeletor's fingers but give 'em some time and they taste like real chicken, not like breast implants and doom". Sam Herlihy brings you a guide to bargain shopping. Photograph by Barney Britton www.photoinsensitive.com
Her debut album of hard-edged, techno-shaded rattlers was one of our favourites of last year. Before she heads to CTM, Natalia Zamilska talks to Luke Turner about meshing together African music and Emily Brontë, the political aspects of her work and seeking diversity in Poland's music scene
Venom are now widely recognised as being the cornerstone of modern extreme metal. Cronos, the driving force behind the band over the last four decades, talks to John Doran about how class, geography and an accident with a gun went into shaping what they became
Drawing upon sound samples, classical training in piano and personal and wider histories, Donia Jarrar spoke with Ned Raggett about creating the Phonodelica project, dealing with teenage friends dissing her about Björk and when her parents mistook a guitar for a train
Once known for pioneering 'indietronica', Schneider TM is now disappearing into a vortex of beautiful, irresistible noise. Wyndham Wallace talks to him about his new album, Guitar Sounds, working with Pan Sonic and Damo Suzuki, and why "whatever makes sound can be music"