Michael Chapman's is a remarkable tale: a singer/guitarist veteran of the '60s who last decade connected with US artists such as Thurston Moore and Jack Rose and started making beautiful and exploratory, improvisational music. Ahead of his performance at Supernormal Festival, he tells Russ Slater about staring at woodpiles and why he hates being called 'folk'
Michael Chapman's is a remarkable tale: a singer/guitarist veteran of the '60s who last decade connected with US artists such as Thurston Moore and Jack Rose and started making beautiful and exploratory, improvisational music. Ahead of his performance at Supernormal Festival, he tells Russ Slater about staring at woodpiles and why he hates being called 'folk'
The latest instalment of Jen Calleja's Verfreundungseffekt column puts into play a game of Chinese Whispers on a poem by Sam Riviere — with help from Chrissy Williams, Laura Tenschert, Livia Franchini and Jack Underwood — considering the value and the possibilities of translating a translation, flipping Walter Benjamin the bird in the process. (Illustration by Richard Phœnix)