Richard Foster considers Marvin The Paranoid Android, the charnel house-like plays of Jacobean England and the owl of Athena (and speaks to Will Sergeant) while writing about Echo & The Bunnymen's oft-misunderstood third long player
Richard Foster considers Marvin The Paranoid Android, the charnel house-like plays of Jacobean England and the owl of Athena (and speaks to Will Sergeant) while writing about Echo & The Bunnymen's oft-misunderstood third long player
Lentils as projectiles, a medieval answer to Kraftwerk’s Autobahn, twin xylophone attack from Mexico City, a post-punk opera about the paranoid mind – Richard Foster and Patrick Clarke report back from another headspinning edition of Utrecht’s Le Guess Who?
Lentils as projectiles, a medieval answer to Kraftwerk’s Autobahn, twin xylophone attack from Mexico City, a post-punk opera about the paranoid mind – Richard Foster and Patrick Clarke report back from another headspinning edition of Utrecht’s Le Guess Who?
Echo & The Bunnymen’s Will Sergeant takes Richard Foster through thirteen favourite albums from The Residents to Love, recalls making records with his dad’s electric shaver and a stringless guitar, explains why it’s time to stop bashing prog rock, and much, much more
Echo & The Bunnymen’s Will Sergeant takes Richard Foster through thirteen favourite albums from The Residents to Love, recalls making records with his dad’s electric shaver and a stringless guitar, explains why it’s time to stop bashing prog rock, and much, much more
Before electronic music pioneer Suzanne Ciani and fellow Buchla synth enthusiast Kaitlyn Aurelia Smith release their new LP, they tell Danny Riley about nature, synaesthesia and the sensory qualities of Sean Connery's voice
Ahead of a set at this year’s OUT.FEST and off the back of superb new LP Ficar Vivo, Caveira's Pedro Gomes speaks to Stewart Smith about Lisbon’s storied experimental underground, the importance of dramatic dynamics on record, and the art of improvisation
From making groundbreaking electro to working with Whitney Houston via boozy sessions with Motörhead, plus avant explorations of thrash, drum & bass, grindcore, gnawa and disco, Bill Laswell has been on more great records than you've had hot dinners. Zachary Lipez offers ten points of entry to his bewilderingly vast back catalogue