Rhian E. Jones
Books
Crumbling Pillars Of Feminine Convention: Viv Albertine’s Autobiography
Rhian E. Jones delves deep in to Viv Albertine's autobiography, finding much more than just another punk memoir, something more like a treatise on socially and culturally accepted and expected modes of sex and sexuality, of femininity and the impact, immediate and enduring, of those eponymous clothes, music and boys
Books
Crumbling Pillars Of Feminine Convention: Viv Albertine’s Autobiography
Rhian E. Jones delves deep in to Viv Albertine's autobiography, finding much more than just another punk memoir, something more like a treatise on socially and culturally accepted and expected modes of sex and sexuality, of femininity and the impact, immediate and enduring, of those eponymous clothes, music and boys
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Previously Read
A Quietus Interview
The Lay Of The Land: Forest Swords Interviewed
Forest Swords' debut album channels the atmosphere of his home region of The Wirral into music of elemental, dubbed-out grandeur. He speaks with Joe Clay about drawing inspiration from his surroudings, doing it DIY, and how his music interlinks with other creative disciplines
A Quietus Interview
Buttholes And Bandanas: An Interview With Bruxa Maria
Gill Dread's latest project makes an unruly, ferocious racket that some have branded "noise punk". It's inspired by her Butthole Surfers upbringing, the 2011 riots, uncaring hipsters, intolerant atheists and working as a van driver for other bands, she tells JR Moores. Photo thanks to Jose Ramon Caamaño
A Quietus Interview
Listening To Me: Nubya Garcia Interviewed
Saxophonist, bandleader and best jazz newcomer (officially!), Nubya Garcia is a powerful and precious force on the thriving London jazz scene. Ahead of her set at Field Day, she talks about bebop discipline, dealing with microaggressions, and how to feel the fear and play it anyway
