In this month’s antidote to the algorithm Puja Nandi celebrates five pioneering artists, from Asian Dub Foundation (pictured) to Osmani Soundz, who enriched the soundtrack of the pre-millennial UK by mixing drum & bass and electronica with the sounds of the Bengali diaspora
In this month’s antidote to the algorithm Puja Nandi celebrates five pioneering artists, from Asian Dub Foundation (pictured) to Osmani Soundz, who enriched the soundtrack of the pre-millennial UK by mixing drum & bass and electronica with the sounds of the Bengali diaspora
The dark electronic pop Australian duo HTRK, once described brilliantly as sounding like ‘Sade in prison’ return with their fourth album, Venus in Leo a slow, louche blur with chinks of warm sun peeking through the shadows. Ahead of their set at Atonal in Berlin this week, we caught up with the duo to talk about being drawn to toxic people, a new body oil for merch and moving away from drama.
According to the title of his 2005 debut album, Richard Dawson is a Sings Songs And Plays Guitar kind of guy. The truth, as you might imagine, is a damn sight more expansive. On the eve of a UK tour, he speaks to Scott McKeating about counterpoints and community
Nobody lives house music and its many contradictions like Honey Dijon. From soundtracking the catwalks of Louis Vuitton to playing at Panorama Bar, she straddles different worlds with deceptive ease but being a black trans artist is not an easy path to tread, says Manu Ekanayake
This September, Interpol release their new album El Pintor. It's both their first in four years and their first without founding bassist Carlos Dengler. In an exclusive interview, Matt Foster meets Paul Banks, Daniel Kessler and Sam Fogarino to find out how they dealt with losing a band member and to talk about a record that fully encases both sides of their personality