Nick Reed returns to Genesis' hefty 1974 double album opus, and finds, in-between the near-incomprehensible narrative and patchy second disc, a record that offers many fine moments and stakes a good claim to being the pinnacle of prog excess
Nick Reed returns to Genesis' hefty 1974 double album opus, and finds, in-between the near-incomprehensible narrative and patchy second disc, a record that offers many fine moments and stakes a good claim to being the pinnacle of prog excess
Against all parental advice, Ned Raggett finds communing with Marissa Nadler's Strangers to be an acutely rewarding experience, nodding to the canon of Americana, but stepping out alone into the spotlight of a much broader and conflicted contemporary music landscape