For his new album (which streams in full below), George McFall has reverted to his given name, overcoming the need for an alias like Clean George IV. He has also reined in the rock guitars in favour of a more severe synth-driven sound, and found a new target for his sharp satire: himself. Photo by Kimi Gill
For his new album (which streams in full below), George McFall has reverted to his given name, overcoming the need for an alias like Clean George IV. He has also reined in the rock guitars in favour of a more severe synth-driven sound, and found a new target for his sharp satire: himself. Photo by Kimi Gill
From demon-riffing drone-lords Bong to gruelling, piledriver punks Drunk In Hell, power trident-pronged psych outfit Blown Out, experimental soundtracking with Artifacts & Uranium, the atomic noise rock of Melting Hand and the crushing cosmic doom of 11Paranoias, plus a plethora of collaborations with luminaries from the Japanese psych underground, Mike Vest’s discography over the last decade is as dizzying as it gets. Ryan Walker attempts to deliver a guide to the 10 best points of entry
Arusa Qureshi was never allowed a skateboard, but the soundtracks to Tony Hawk's Pro Skater series of computer games were a vital introduction to music – one that, she argues, was far more effective than today's algorithm-driven discovery mechanisms