The Rotherham-based musician and artist looks back 40 years and considers the noise of industry, the noise of industrial action, the noise of excessive police violence and electronic music as political resistance. Digital and 35mm photographs of the site of the former Orgreave Coking Works taken by Max Roberts. In memory of drummer and producer Keith LeBlanc
The Rotherham-based musician and artist looks back 40 years and considers the noise of industry, the noise of industrial action, the noise of excessive police violence and electronic music as political resistance. Digital and 35mm photographs of the site of the former Orgreave Coking Works taken by Max Roberts. In memory of drummer and producer Keith LeBlanc
For decades, the music from one small village in Morocco has rung out internationally. But a long-running dispute between two separate factions of the Master Musicians of Jajouka/Joujouka has threatened to overshadow the success of both. Richie Troughton explores the legacy of the two groups and their current projects