Following the return of his ground-breaking ambient techno Gas project with Narkopop after a seventeen-year hiatus and a renewed live presence, Wolfgang Voigt speaks to Maria Perevedentseva about three decades of collapsing the boundaries between the minimal and the maximal, and the popular and the esoteric
Following the return of his ground-breaking ambient techno Gas project with Narkopop after a seventeen-year hiatus and a renewed live presence, Wolfgang Voigt speaks to Maria Perevedentseva about three decades of collapsing the boundaries between the minimal and the maximal, and the popular and the esoteric
At this year's edition of Berlin Atonal, Maria Perevedentseva finds a festival packed with art installations and music ranging from the DJ-friendly to all-out carnage, which – having found its footing so spectacularly in recent years - seems not quite so sure what exactly its next step should be. (Photographs by Camille Blake)
At this year's edition of Berlin Atonal, Maria Perevedentseva finds a festival packed with art installations and music ranging from the DJ-friendly to all-out carnage, which – having found its footing so spectacularly in recent years - seems not quite so sure what exactly its next step should be. (Photographs by Camille Blake)
In the wake of the EDL's disastrous Walthamstow march and Nick Griffin's well-earned Twitter suspension the author and journalist puts in to context the rise of far right politics, fascism and outright racism in a supposedly multicultural modern-day Britain
Our man from San Francisco Ned Raggett talks to the former Napalm Death Drummer and driving force behind Scorn about battling on against the odds and finally finding some peace and satisfaction. All portraits courtesy of Helen Harris