With Divide And Exit, Sleaford Mods made one of our favourite albums of the year, an original, visceral portrait of the UK in 2014. In a short film, Louis Pattison meets the duo, Jason Williamson and Andrew Fearn, in Nottingham to discuss their writing process, mod culture and being gobby
With Divide And Exit, Sleaford Mods made one of our favourite albums of the year, an original, visceral portrait of the UK in 2014. In a short film, Louis Pattison meets the duo, Jason Williamson and Andrew Fearn, in Nottingham to discuss their writing process, mod culture and being gobby
Crafting post-apocalyptic black metal suites with drums and hammered dulcimer, The Botanist's music imagines a future where the remnants of humanity have once again been swallowed up by primordial flora. Louis Pattison digs a little deeper
Crafting post-apocalyptic black metal suites with drums and hammered dulcimer, The Botanist's music imagines a future where the remnants of humanity have once again been swallowed up by primordial flora. Louis Pattison digs a little deeper
Jim Jarmusch’s late entry into the zombie genre may first appear to be a restrained retreading of anti-consumerist tropes and fears of humanity’s auto-obliteration. But, Sean Kitching asks, if such warnings are obsolete, then why do we still fail to heed them?