Amasia: Anamibia Sessions 2
When visual artist Arthur Jafa suggested Melvin Gibbs assemble a band to riff off Bitches Brew-era Miles Davis, it could easily have turned into an exercise in nostalgia. But Gibbs had other ideas, taking the grooves and rhythmic experiments of electric Miles into weird and wonderful new terrains
Amasia: Anamibia Sessions 2
When visual artist Arthur Jafa suggested Melvin Gibbs assemble a band to riff off Bitches Brew-era Miles Davis, it could easily have turned into an exercise in nostalgia. But Gibbs had other ideas, taking the grooves and rhythmic experiments of electric Miles into weird and wonderful new terrains
John Freeman heads up to Sunderland to eat falafel and meet with the Brewis brothers to find out why the sinewy pop of Field Music’s new album Commontime was inspired by fatherhood, Hall & Oates and hatred for a certain brand of 4x4 car
We were offered a very brief phone conversation with Lisa Gerrard of Dead Can Dance recently. There was nothing for it but to activate our many teeted, lizard agent from Interzone, Jonny Mugwump, whose feverish brain and forked tongue work in double time...
With a flurry of recent activity, including reissues and the promise of a book, Duncan Seaman talks to Jowe Head, Biggles Books and Phones Sportsman, as well as Geoff Travis of Rough Trade about the cult DIY band. Home page band portrait by Caroline Kraabel
Michael Chapman's is a remarkable tale: a singer/guitarist veteran of the '60s who last decade connected with US artists such as Thurston Moore and Jack Rose and started making beautiful and exploratory, improvisational music. Ahead of his performance at Supernormal Festival, he tells Russ Slater about staring at woodpiles and why he hates being called 'folk'