Karlheinz Stockhausen's Mittwoch aus Licht was supposedly too grandiose to stage, and has been used as a 'pretentious' stick to beat him for years. Leo Chadburn witnesses that refuted in a very human performance in Birmingham. Pictures by Katja Ogrin
Karlheinz Stockhausen's Mittwoch aus Licht was supposedly too grandiose to stage, and has been used as a 'pretentious' stick to beat him for years. Leo Chadburn witnesses that refuted in a very human performance in Birmingham. Pictures by Katja Ogrin
Following new album Sentir Que No Sabes and ahead of her guest curation at this year’s Le Guess Who?, Mabe Fratti takes Laura Snapes through thirteen favourite records spanning her Central American adolescence, cult dream pop and French post-punk Zeligs