In Dev Hynes' third album as Blood Orange, Lauretta Charlton finds the adoptive New Yorker in fine cosmopolitan form, the free-flowing quality of his music celebrating a parallel sense of fluid identity and of freedom to be — to construct our own selves, in whichever way we choose
In Dev Hynes' third album as Blood Orange, Lauretta Charlton finds the adoptive New Yorker in fine cosmopolitan form, the free-flowing quality of his music celebrating a parallel sense of fluid identity and of freedom to be — to construct our own selves, in whichever way we choose
Jim Jarmusch’s late entry into the zombie genre may first appear to be a restrained retreading of anti-consumerist tropes and fears of humanity’s auto-obliteration. But, Sean Kitching asks, if such warnings are obsolete, then why do we still fail to heed them?