For two decades, Italian author Elena Ferrante maintained her privacy – until a recent article claimed to reveal her 'true' identity. Twenty-five years after the publication of her first novel, Lauren Strain considers the example that her fight for selfhood – and the struggles of the women in her novels – sets for us today. (Image from the film L'Amore Molesto, based on the novel)
For two decades, Italian author Elena Ferrante maintained her privacy – until a recent article claimed to reveal her 'true' identity. Twenty-five years after the publication of her first novel, Lauren Strain considers the example that her fight for selfhood – and the struggles of the women in her novels – sets for us today. (Image from the film L'Amore Molesto, based on the novel)
Photographs of the dead in places of conflict are becoming increasingly more common as mobile phones can capture and share in an instant. But what is it like to know someone in such an image? London writer and poet Chimène Suleyman remembers growing up knowing her grandfather only through a photo taken after his death in Cyprus