Upon the release of her new album Broken Gargoyles, Diamanda Galás discusses her unflinching exploration of soldiers mutilated by war, the album's roots in the poetry of Georg Heym and the photos of Ernst Friedrich, and why the pandemic was a prompt to live in the moment
Upon the release of her new album Broken Gargoyles, Diamanda Galás discusses her unflinching exploration of soldiers mutilated by war, the album's roots in the poetry of Georg Heym and the photos of Ernst Friedrich, and why the pandemic was a prompt to live in the moment
Kevin Mccaighy takes a close look at one of the most important American independent rock labels of the 80s and 90s, finding ten points of entry into a bewilderingly large back catalogue, in the shape of gems from Unsane, Today Is The Day, Cows and Mudhoney
Kevin Mccaighy takes a close look at one of the most important American independent rock labels of the 80s and 90s, finding ten points of entry into a bewilderingly large back catalogue, in the shape of gems from Unsane, Today Is The Day, Cows and Mudhoney
The Quietus has long been of the opinion that Guttersnipe are one of the most exciting live acts in the UK underground, if not the entire world. Now with debut album My Mother The Vent due out next month on Upset The Rhythm, they have recorded material to match. Kevin McCaighy talks to Urocerus Gigas and Tipula Confusa about their incendiary sound. Garden and living room portraits by Abby Banks
The Quietus has long been of the opinion that Guttersnipe are one of the most exciting live acts in the UK underground, if not the entire world. Now with debut album My Mother The Vent due out next month on Upset The Rhythm, they have recorded material to match. Kevin McCaighy talks to Urocerus Gigas and Tipula Confusa about their incendiary sound. Garden and living room portraits by Abby Banks
Steve Parry's latest album as Hwyl Nofio finds him exploring personal and collective histories in his home region of South Wales. He speaks with Kevin Mccaighy about the rise and fall of industry and wandering the valleys with a field recorder
Steve Parry's latest album as Hwyl Nofio finds him exploring personal and collective histories in his home region of South Wales. He speaks with Kevin Mccaighy about the rise and fall of industry and wandering the valleys with a field recorder
Glasgow noise-rock quartet Divorce make a hellish, high-frequency no wave racket. With their self-titled debut recently released, they speak to Kevin Mccaighy about touring, spontaneity, and why noise for noise's sake isn't good enough
Glasgow noise-rock quartet Divorce make a hellish, high-frequency no wave racket. With their self-titled debut recently released, they speak to Kevin Mccaighy about touring, spontaneity, and why noise for noise's sake isn't good enough
Following two sublime singles, the debut album from Glasgow-based dance music collective Amor captures timeless dancefloor melancholy and Paradise Garage-referencing rhythm, amid twenty-four channels of anaogue bliss. Founding member and acclaimed experimental musician Richard Youngs catches up with John Thorp, and tries not to overthink the groove
Lou Doillon's debut album of enigmatic folk pop Places has been a surprise hit in her native France. In advance of a London show at Queen Elizabeth Hall this week, she speaks with Jeremy Allen about the pressures of growing up in a family of famous musicians
As she releases the first track 'Heels' - which you can listen to below - from a new EP, Billy Nomates, aka Tor Maries, speaks to Patrick Clarke about class barriers, the fragility of DIY musicianship, and the government's 'sinister' disregard for an industry on the edge of collapse