Carrie & Lowell (10th Anniversary Edition)
On its tenth anniversary, the Midwestern singer-songwriter returns to his classic autobiographical album with a new release featuring previously unreleased demos and outtakes. Listening to now double-disced record anew, Kat Lister finds a profound meditation on the nature of grief
Carrie & Lowell (10th Anniversary Edition)
On its tenth anniversary, the Midwestern singer-songwriter returns to his classic autobiographical album with a new release featuring previously unreleased demos and outtakes. Listening to now double-disced record anew, Kat Lister finds a profound meditation on the nature of grief
As Elaine Kraf's The Princess of 72nd Street is added to the Penguin Modern Classics roster, Kat Lister re-examines the author's legacy and talks to Kraf's daughter about putting together the pieces of the life of one of the most neglected and most radical novelists of the 1970s
As Elaine Kraf's The Princess of 72nd Street is added to the Penguin Modern Classics roster, Kat Lister re-examines the author's legacy and talks to Kraf's daughter about putting together the pieces of the life of one of the most neglected and most radical novelists of the 1970s
Andy Abbott speaks to Kat Lister his new album as ADRA, born from his work as a creative practitioner on psychiatric wards, how working with service users challenged preconceptions about who experimental music is 'for', and how it's changed his own creative philosophy moving forward
Andy Abbott speaks to Kat Lister his new album as ADRA, born from his work as a creative practitioner on psychiatric wards, how working with service users challenged preconceptions about who experimental music is 'for', and how it's changed his own creative philosophy moving forward
Kat Lister hits the road in the footsteps of Wim Wenders, travelling from Brooklyn to North Carolina, in search of the meaning of instant photography, looking for answers about the transience of life and the ephemerality of art
Kat Lister hits the road in the footsteps of Wim Wenders, travelling from Brooklyn to North Carolina, in search of the meaning of instant photography, looking for answers about the transience of life and the ephemerality of art
In our monthly subscribers only essay, Kat Lister discusses how finishing her first book and a year of being locked down alone steered her towards buying a typewriter, only to discover these machines are going through something of a reversal of fortunes. Homepage photograph: the author's portrait of her own Olivetti Valentine
In our monthly subscribers only essay, Kat Lister discusses how finishing her first book and a year of being locked down alone steered her towards buying a typewriter, only to discover these machines are going through something of a reversal of fortunes. Homepage photograph: the author's portrait of her own Olivetti Valentine
‘Paintwork’, an album track from This Nation’s Saving Grace, is in some respects the key to the song-writing processes of The Fall. John Doran looks back to 1985 with some help from Mark E. Smith. Originally published in 2010
Thirty-five years after they burned slow and bright, Galaxie 500 remain one of indie rock’s most quietly untouchable constellations. In conversation with Dean Wareham, Naomi Yang and Damon Krukowski, Brian Coney provides ten points of entry to the dimmer recesses of their back catalogue
Elsa Court unpicks the cinematic relationship between Agnès Varda and Jean-Luc Godard. With her new film, Faces, Places, in UK cinemas soon, and a retrospective currently on screen at the BFI Southbank, a reassessment of the often marginalised Varda feels more vital than ever
In his latest survey of the French music scene, David McKenna takes stock of a tumultuous few months in French politics, picks some recent cultural highlights and reviews culture-straddling music from Marseille as well as new folk, occult rock and an adventurous gamelan ensemble
Recorded at King Crimson’s nadir, Red looked destined to be just another forgotten final album, its release playing second fiddle to Robert Fripp’s idiosyncratic “retirement”. 50 years later, its influence is immeasurable, the perfect distillation of what’s possible from a rock trio, says Jeremy Allen