Forty-five years after it was first released, Joseph Burnett returns to Young's fifth solo record, an album that marked an angered transition from Harvest, bolstered by some of his bleakest and greatest moments. This feature was first published on 9 August 2014
Forty-five years after it was first released, Joseph Burnett returns to Young's fifth solo record, an album that marked an angered transition from Harvest, bolstered by some of his bleakest and greatest moments. This feature was first published on 9 August 2014
In Sam Shackleton's latest offering, Joseph Burnett finds a record occupying two spaces simultaneously – pushing both the legacy of Coil's post-industrial pagan folk tradition and testing a sense of "what might have been" for mid-to-late 00s dubstep
In Sam Shackleton's latest offering, Joseph Burnett finds a record occupying two spaces simultaneously – pushing both the legacy of Coil's post-industrial pagan folk tradition and testing a sense of "what might have been" for mid-to-late 00s dubstep
Steve Parry's latest album as Hwyl Nofio finds him exploring personal and collective histories in his home region of South Wales. He speaks with Kevin Mccaighy about the rise and fall of industry and wandering the valleys with a field recorder
In his latest column, Kez Whelan salutes the brilliance that occurs at the intersection of black metal and hardcore punk, the ongoing boom in death metal, and reviews new releases from Scarcity, Harvestman, Krallice and many more
In the often apolitical world of house and techno, stellar DJ/producer/booker The Black Madonna is fearless when it comes to voicing her beliefs. Manu Ekanayake sat down with her to talk race, gender, disco and house, Trump and the Ghost Ship fire