This summer's Steam Days album found Norfork's Nathan Fake continuing to sink deeper into his own idiosyncratic and woozy take on techno and electronica. In advance of a tour with Orbital next month, he speaks to Jim Keoghan about folk ethics and working solo
This summer's Steam Days album found Norfork's Nathan Fake continuing to sink deeper into his own idiosyncratic and woozy take on techno and electronica. In advance of a tour with Orbital next month, he speaks to Jim Keoghan about folk ethics and working solo
Nate Young has had a busy year, presiding over the return of Wolf Eyes on ferocious form and guiding his Regression solo electronic project into hypnotic zones. He speaks to Ian Maleney about improvisation, manual labour, and how Wolf Eyes are becoming even more unhinged with age
As they release their first studio album for decades and prepare to play the London Scala, Luke Turner talks to Benin's Orchestre Poly-Rythmo de Cotonou about their religious differences, James Brown, playing with Fela Kuti, and their remarkable return