Slovenian Martial Industrialists embark on what may be their most intrepid gambit yet – will they succeed? On the evidence of their latest album, it has at least pushed them towards some of their most adventurous and experimental music yet, finds Jeremy Allen
Slovenian Martial Industrialists embark on what may be their most intrepid gambit yet – will they succeed? On the evidence of their latest album, it has at least pushed them towards some of their most adventurous and experimental music yet, finds Jeremy Allen
Recorded at King Crimson’s nadir, Red looked destined to be just another forgotten final album, its release playing second fiddle to Robert Fripp’s idiosyncratic “retirement”. 50 years later, its influence is immeasurable, the perfect distillation of what’s possible from a rock trio, says Jeremy Allen
Recorded at King Crimson’s nadir, Red looked destined to be just another forgotten final album, its release playing second fiddle to Robert Fripp’s idiosyncratic “retirement”. 50 years later, its influence is immeasurable, the perfect distillation of what’s possible from a rock trio, says Jeremy Allen
Roy Ascott’s Groundcourse rewired the brains of a generation of art students and turned Brian Eno and Pete Townshend on to cybernetic thinking. In an exclusive extract from his new book *Blank Canvas: Art School Creativity From Punk to New Wave*, Simon Strange explores the ideas behind the course and the strange activities it inspired
Our favourite album tracks, deep cuts, rarities and b-sides as chosen by Alfred Soto, David Bennun, Julian Marszalek, Jude Rogers, John Doran, Yousif Nur, Aug Stone, Joe Kennedy, Andy Thomas, Ian Wade, Colm McAuliffe, Geoff Cowart, Ed Power, John Mullen, David McKenna, Pavel Godfrey and Adrian Lobb