It was only when Jeffrey Boakye moved out of London that he realised his sense of Black British identity was overly-rooted on the capital. Here, he explores two very different stories of Black life in Hull to argue that we need to look less to America while looking toward a deeper understanding of Black life at home
It was only when Jeffrey Boakye moved out of London that he realised his sense of Black British identity was overly-rooted on the capital. Here, he explores two very different stories of Black life in Hull to argue that we need to look less to America while looking toward a deeper understanding of Black life at home
For every George Floyd, Breonna Taylor and Trayvon Martin, there's a Rashan Charles, Sean Rigg, Cynthia Jarrett or Mark Duggan. Police brutality and racism against the black community is not just a uniquely American travesty
For every George Floyd, Breonna Taylor and Trayvon Martin, there's a Rashan Charles, Sean Rigg, Cynthia Jarrett or Mark Duggan. Police brutality and racism against the black community is not just a uniquely American travesty
Jeffrey Boakye argues that the banning of Blue Story by two cinema chains shows how in the UK black art is held to different standards to everything else, and "a reminder of just how poised society is to reject blackness on the assumption that it can be a corrupting force"
Jeffrey Boakye argues that the banning of Blue Story by two cinema chains shows how in the UK black art is held to different standards to everything else, and "a reminder of just how poised society is to reject blackness on the assumption that it can be a corrupting force"
Jeffrey Boakye was going to write us a piece on why Mercury-winner J Hus ought to be the next British Poet Laureate but, halfway through, he realised that a movement, not an individual, might be deserving of the sack of sherry
Jeffrey Boakye was going to write us a piece on why Mercury-winner J Hus ought to be the next British Poet Laureate but, halfway through, he realised that a movement, not an individual, might be deserving of the sack of sherry
Grime's enthusiasm for Jeremy Corbyn has been one of the oddest moments of an already strange general election campaign. But, argues Jeffrey Boakye, perhaps the two worlds of politics and the music of London's streets aren't so different after all
Grime's enthusiasm for Jeremy Corbyn has been one of the oddest moments of an already strange general election campaign. But, argues Jeffrey Boakye, perhaps the two worlds of politics and the music of London's streets aren't so different after all
Following sad news that Kraftwerk co-founder Florian Schneider has died, we present a specially compiled Baker's Dozen of artists including Michael Rother, Cosey Fanni Tutti, Marie Davidson and Mark Lanegan on their favourite music by the _kosmische musik_ masters
Ahead of the release of his new record as The Soft Pink Truth, Drew Daniel talks to Kristen Gallerneaux about the influences behind Shall We Go On Sinning So That Grace May Increase? and rethinking ambient music
Dirty Projectors' sixth album, Swing Lo Magellan, marks a shift from the meticulous structures of their previous albums towards a more direct and heartfelt approach to songwriting. Chad Parkhill discussed this transition with lead Projector David Longstreth
On Olga Bell's new album Krai, the Brooklyn-based composer and singer explores the imagined hinterlands of her home country of Russia. She speaks with Ed Power about childhood memories, working with Dirty Projectors and why the album is a work of sonic fiction
Preparing to spend a few days amidst baking heat and baked Europeans, the Quietus staff run through a selection of anticipated highlights from next week's Sonar Festival in Barcelona, from turbo-charged grime and kuduro to blazing techno and industrial pop