Jeanette Leech
Low Culture Essay
The Low Culture Essay: Jeanette Leech on Elastica’s The Menace
In this month's essay, Jeanette Leech seeks to reclaim the legacy of Elastica's vastly underrated second album from prurient mutterings about drug addiction and the collapse of Britpop, celebrating Mark E. Smith collaborations and the birth of M.I.A.
Low Culture Essay
The Low Culture Essay: Jeanette Leech on Elastica’s The Menace
In this month's essay, Jeanette Leech seeks to reclaim the legacy of Elastica's vastly underrated second album from prurient mutterings about drug addiction and the collapse of Britpop, celebrating Mark E. Smith collaborations and the birth of M.I.A.
A Quietus Interview
A Personal Exorcism: An Exclusive Heartworms Interview on Debut LP, Glutton For Punishment
As Jojo Orme announces details of debut Heartworms album Glutton For Punishment, she speaks to to Jeanette Leech about how fending for herself after a traumatic childhood led to her fierce DIY ethic, confounding sexist music blokes, and why you can love warplanes but still be anti-war
A Quietus Interview
A Personal Exorcism: An Exclusive Heartworms Interview on Debut LP, Glutton For Punishment
As Jojo Orme announces details of debut Heartworms album Glutton For Punishment, she speaks to to Jeanette Leech about how fending for herself after a traumatic childhood led to her fierce DIY ethic, confounding sexist music blokes, and why you can love warplanes but still be anti-war
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Album of the Week
Lead Review: Amelia Phillips On Klara Lewis’ Too
Digging into Klara Lewis' second full-length, Amelia Phillips finds an artist balanced on the knife edge of internal/external experience, and a musical narrative that puts the listener at the subjective forefront even as it details and abstracts the objectivity of the physical world around it
Low Culture Essay
Low Culture 1: The Velvet Underground Live In 1969
Low Culture is a new series where tQ writers use lockdown time to pull some of their favourite music, films, games and books off the shelves in order to tackle an idea that's been bugging them for a long time. In the first instalment John Doran argues that the Velvet Underground only really hit their true peak after they lost Nico, Warhol and Cale
