From working with Brian Eno to playing with The Contortions and The Bloods, Adele Bertei had a front-row seat to New York's infamous No Wave scene. She talks to Elizabeth Wiet about noise, melody, and why the fertile ecosystem of Downtown NYC couldn't come about today
From working with Brian Eno to playing with The Contortions and The Bloods, Adele Bertei had a front-row seat to New York's infamous No Wave scene. She talks to Elizabeth Wiet about noise, melody, and why the fertile ecosystem of Downtown NYC couldn't come about today
Burning Down the House by Jonathan Gould tells the story of the American new wave band and the fertile scene they came up with, but does the book risk reducing the city and everyone in it to a backdrop for the group's mercurial lead singer? asks Elizabeth Wiet
Burning Down the House by Jonathan Gould tells the story of the American new wave band and the fertile scene they came up with, but does the book risk reducing the city and everyone in it to a backdrop for the group's mercurial lead singer? asks Elizabeth Wiet
The American writer Derek de Koff got in touch with us recently to offer us this rarely seen or read Coil interview (with John Balance and Peter Christopherson) from 2001. And we've also got a long extract from David Keenan's excellent England's Hidden Reverse on the narcotic and artistic influences on Love's Secret Doman. Thanks to Luke Cartledge & Mark Pilkington