From working with Brian Eno to playing with The Contortions and The Bloods, Adele Bertei had a front-row seat to New York's infamous No Wave scene. She talks to Elizabeth Wiet about noise, melody, and why the fertile ecosystem of Downtown NYC couldn't come about today
From working with Brian Eno to playing with The Contortions and The Bloods, Adele Bertei had a front-row seat to New York's infamous No Wave scene. She talks to Elizabeth Wiet about noise, melody, and why the fertile ecosystem of Downtown NYC couldn't come about today
Burning Down the House by Jonathan Gould tells the story of the American new wave band and the fertile scene they came up with, but does the book risk reducing the city and everyone in it to a backdrop for the group's mercurial lead singer? asks Elizabeth Wiet
Burning Down the House by Jonathan Gould tells the story of the American new wave band and the fertile scene they came up with, but does the book risk reducing the city and everyone in it to a backdrop for the group's mercurial lead singer? asks Elizabeth Wiet
Robert Aiki Aubrey Lowe's work ranges from hypnotic solo modular synth and voice explorations as Lichens, to acting, composition for film and playing in Om. As part of our week of features curated by Kevin 'The Bug' Martin, Tristan Bath meets Lowe to discuss the underlying impulses that unite these varied projects