This relatively obscure, nihilistic and resigned second album by a near forgotten Mancunian post punk group was released decades before the birth of writer Lina Adams in the early 00s; so why does it speak so clearly to her life today?
‘Paintwork’, an album track from This Nation’s Saving Grace, is in some respects the key to the song-writing processes of The Fall. John Doran looks back to 1985 with some help from Mark E. Smith. Originally published in 2010
Thirty-five years after they burned slow and bright, Galaxie 500 remain one of indie rock’s most quietly untouchable constellations. In conversation with Dean Wareham, Naomi Yang and Damon Krukowski, Brian Coney provides ten points of entry to the dimmer recesses of their back catalogue
Elsa Court unpicks the cinematic relationship between Agnès Varda and Jean-Luc Godard. With her new film, Faces, Places, in UK cinemas soon, and a retrospective currently on screen at the BFI Southbank, a reassessment of the often marginalised Varda feels more vital than ever
In his latest survey of the French music scene, David McKenna takes stock of a tumultuous few months in French politics, picks some recent cultural highlights and reviews culture-straddling music from Marseille as well as new folk, occult rock and an adventurous gamelan ensemble