From venue closures to VAT, conversations around the UK’s beleaguered nightlife sector have struck a singularly gloomy tone for more than a decade. But has that pessimism become part of the problem? Ed Gillett asks whether our eulogies for the late-night scene have outlived their usefulness.
From venue closures to VAT, conversations around the UK’s beleaguered nightlife sector have struck a singularly gloomy tone for more than a decade. But has that pessimism become part of the problem? Ed Gillett asks whether our eulogies for the late-night scene have outlived their usefulness.
As London's Night Czar Amy Lamé leaves her job this week, Ed Gillett investigates her failures and successes, the increasing politicisation of her role, and whether alternative approaches offer any chance of doing better
As London's Night Czar Amy Lamé leaves her job this week, Ed Gillett investigates her failures and successes, the increasing politicisation of her role, and whether alternative approaches offer any chance of doing better
With live music at a standstill, coronavirus poses an existential threat to artists, festivals, promoters - even this publication. Ed Gillet examines the implications of the pandemic and the incompetence of the British government in dealing with it
With live music at a standstill, coronavirus poses an existential threat to artists, festivals, promoters - even this publication. Ed Gillet examines the implications of the pandemic and the incompetence of the British government in dealing with it
Red Bull have announced the end of their well-loved music platform RBMA, after over 20 years of operation. Ed Gillett looks at how this decision fits into a wider pattern of narrowing, frailty and loss across digital music communities.
Red Bull have announced the end of their well-loved music platform RBMA, after over 20 years of operation. Ed Gillett looks at how this decision fits into a wider pattern of narrowing, frailty and loss across digital music communities.
In a move that has gone unnoticed by most, Network Rail has sold off its thousands of railway arches, many of them home to venues, clubs and studios that are vital for the health of independent culture. Ed Gillet explores this grievous threat to the UK. Images all from the Quietus 10th Birthday rave at Corsica Studios by Zbigniew Kotkiewicz
In a move that has gone unnoticed by most, Network Rail has sold off its thousands of railway arches, many of them home to venues, clubs and studios that are vital for the health of independent culture. Ed Gillet explores this grievous threat to the UK. Images all from the Quietus 10th Birthday rave at Corsica Studios by Zbigniew Kotkiewicz
One of the biggest stories of 2015 was the continuing disappearance of music venues under a pincer assault of noise complaints and gentrification. Ed Gillett argues that the pop-up 'experience' guff that comes in their wake is no replacement, and looks at possible solutions to the crisis
One of the biggest stories of 2015 was the continuing disappearance of music venues under a pincer assault of noise complaints and gentrification. Ed Gillett argues that the pop-up 'experience' guff that comes in their wake is no replacement, and looks at possible solutions to the crisis
As Tom Tom Club hit the UK, Stephen Dalton sits down for a fascinating chat about Talking Heads, their relationship with David Byrne, their creative and romantic relationship, and why working with the Happy Mondays was even more difficult than you might have thought
Pet Shop Boys’ very own never-ending Dreamworld tour is back in the Capital for a five-night run at the Royal Opera House. But on a day when central London is host to multiple demonstrations about the kind of country the UK wants to be, are Tennant and Lowe losing their common touch?
On the release of a new documentary on Dory Previn, Adelle Stripe explores an artist who learned to live with voices in her head, despite societal and institutional pressure to ignore them, and whose experiences demonstrate how female artists can seek a fulfilled creative life against the odds
Following two sublime singles, the debut album from Glasgow-based dance music collective Amor captures timeless dancefloor melancholy and Paradise Garage-referencing rhythm, amid twenty-four channels of anaogue bliss. Founding member and acclaimed experimental musician Richard Youngs catches up with John Thorp, and tries not to overthink the groove
New York isn’t dead, says Maxelle Talena in the latest of tQ’s dispatches from the North American underground. It’s being killed. From jumpstyle to hardcore punk, from hip hop to garage rock (for those who can’t afford a garage), she introduces five key artists keeping the flame alive