Keeley Forsyth’s debut album is an intimate document chronicling harrowing times. But, as she tells Derek Robertson, such darkness lies deep within us all, serving less as artistic inspiration and more as defining our shared humanity
Keeley Forsyth’s debut album is an intimate document chronicling harrowing times. But, as she tells Derek Robertson, such darkness lies deep within us all, serving less as artistic inspiration and more as defining our shared humanity
Their unique brand of acid-tinged folk and psychedelic rock has seen the Japanese quintet break free from the constraints of their hometown scene. Derek Robertson meets them in Amsterdam to talk jam sessions, running a label, and why DIY is not necessarily the future
Their unique brand of acid-tinged folk and psychedelic rock has seen the Japanese quintet break free from the constraints of their hometown scene. Derek Robertson meets them in Amsterdam to talk jam sessions, running a label, and why DIY is not necessarily the future
As Paul McCartney reissues McCartney II, Stephen Dalton asks him about the creation of his most forward-thinking record, Delia Derbyshire, potentially collaborating with Gorillaz... and suggests that Macca's next LP should be death metal
Not Not Fun/Weird World signed duo Peaking Lights released one of the most talked-about underground albums of last year in their dubby pop record 936. Huw Nesbitt speaks to them about the origins of the band, numerology and the internet