Keeley Forsyth’s debut album is an intimate document chronicling harrowing times. But, as she tells Derek Robertson, such darkness lies deep within us all, serving less as artistic inspiration and more as defining our shared humanity
Keeley Forsyth’s debut album is an intimate document chronicling harrowing times. But, as she tells Derek Robertson, such darkness lies deep within us all, serving less as artistic inspiration and more as defining our shared humanity
Their unique brand of acid-tinged folk and psychedelic rock has seen the Japanese quintet break free from the constraints of their hometown scene. Derek Robertson meets them in Amsterdam to talk jam sessions, running a label, and why DIY is not necessarily the future
Their unique brand of acid-tinged folk and psychedelic rock has seen the Japanese quintet break free from the constraints of their hometown scene. Derek Robertson meets them in Amsterdam to talk jam sessions, running a label, and why DIY is not necessarily the future
New York's Endless Boogie couldn't be more aptly named, frying minds with sprawling, blues-tinted jams that seem to chug on forever. With career-best album Long Island just released, Stevie Chick speaks to the band's Paul Major about psychedelic experiences and intuition
As well as being the lynchpin of suited rock howlers Gallon Drunk, James Johnston has played with Nick Cave & The Bad Seeds and PJ Harvey - but we're not going to hold the fact that he's picked both of them for his Baker's Dozen against him. Portrait by Steve Gullick.